FolkWorld #72 07/2020
© Wikipedia, the free encyclopedia

Across the Western Ocean

David Rovics

David Rovics: Viral Solidarity

The Corona Pandemic should have been a godsend for any topical singer-songwriter, however, probably noone is as active and prolific as the one and only David Rovics.


David Rovics

Artist Video David Rovics @ FROG

www.davidrovics.com

David Rovics (born April 10, 1967) is an American indie singer/songwriter and anarchist. His music concerns topical subjects such as the 2003 Iraq war, anti-globalization and social justice issues. Rovics has been an outspoken critic of former President George W. Bush, the Republican Party, John Kerry, and the Democratic Party.

Rovics is critical of the United States government's policies and claims that the "U.S. government's foreign policy represents U.S. corporate interests" and that "the U.S. government does not like democracy either at home or abroad."

Although some of Rovics' work is not self-published, and much of it is commercially distributed, Rovics has made all of his recorded music freely available as downloadable mp3 files. He encourages the free distribution of his work by all non-profit means to promote his work and spread political messages, and speaks out against websites or programs like iTunes that charge money for downloading his songs. Rovics has also advocated the performing of his songs at protests and demonstrations and has made his sheet music and lyrics available for download.

Biography

David Rovics

»History will look back on which parts of the world managed to contain the new virus, and which parts didn't, and why. Society in the countries that failed will never be the same.«


   Covid-19 Ballads:
   PM Press Blog Series:

David Rovics was born in New York City. His family moved to Wilton, Connecticut when he was young. Rovics was politically inspired during his adolescence by his experiences with the conservative-oriented, Christian milieu of his home town. His parents, both classical musicians and educators, were liberal in their outlook. Perhaps for this reason, while in his teens Rovics acquired interests in nuclear disarmament, vegetarianism and other counterculture issues. He has described himself as an "anti-Zionist Jew from New York".

In 1985, Rovics enrolled at Earlham College in Richmond, Indiana, but dropped out and moved to Berkeley, California. He worked in varied occupations, including as a cook, barista, secretary and typist, while pursuing his musical interests as a street and subway performer and in small clubs and bars. He immersed himself in leftist counterculture and made contact with other songwriters and performers on the underground circuit.

By the early 1990s he was a full-time busker in the Boston subways.

From around the mid-1990s, Rovics has spent most of his time on concert tours around the world. In 1996 he self-released his first album, Make It So, which consisted mostly of covers of other artists' songs. He released his second cover album in 1998. He produced a series of five original song albums between 1998 and 2003 as self-released titles. The album Who Would Jesus Bomb? was entirely distributed in mp3 format over the Internet and had no commercial release, although it was included in a later "best of" album.

Rovics is a Wobbly- a member of the Industrial Workers of the World. "In that Wobbly tradition of sharp social commentary, David is a master." — The Industrial Worker.

David Rovics

#BlackLivesMatter

»Elijah Played the Violin«
»Born On the Fourth of July«

In 2003 Rovics signed up to Ever Reviled Records and produced a studio album, Return. Later that year, he released Behind The Barricades: The Best Of David Rovics in association with AK Press, including titles from his earlier self-releases which met with minimal commercial success. He has since released the Songs for Mahmud album as a self-release in association with Ever Reviled Records. Despite being the sole performer in most of his work, he usually describes himself only as a songwriter.

Although Rovics' work has never met with great commercial success, it has been acclaimed in sections of the press and continues to be popular with a small yet widespread base of fans with similar political interests, as well as supporters of internet file sharing.

Rovics tours regularly on four continents, playing for audiences large and small at cafes, pubs, universities, churches, union halls and protest rallies. He has had his music featured on Democracy Now!, the BBC, Al-Jazeera, Acik Radyo and other networks. His essays are published regularly on CounterPunch and Truthout and the 200+ songs he makes available on the web have been downloaded more than a million times.

He currently lives in Portland, Oregon, with his family and has a daughter, Leila, who was born in 2006.

Political activism

In an interview article with the Baltimore Independent Media Center entitled "Inspiring the Troops" Through Music, Rovics said:

... when I first started writing any songs that were any good I had already become very much involved with activism and wanting to talk about what was happening in the world. But when I first started writing songs, I wasn't writing political songs ...

I say, that I'm not really hardly at all involved with the folk music scene and I don't play for the folk music audiences so much and shows don't get booked by the folk music presenters. Everything I'm doing pretty much in the activist scene. I find that when folk music aficionados come to my shows that they usually like it. I think I could be doing fine in the folk scene if there was enough interest there for more people to be booking shows. The interest in the kind of music I'm doing is almost entirely in the activist scene, which is fine ...

If you look at it – take a real cursory glance of the world around you we see that pretty much every institution out there uses music in one way or another. Every corporation uses music to sell their products. The military uses music to inspire their troops. I use music for my troops. It's the same basic function that music is playing. You know, even from a capitalist perspective you could say it's used to sell products and to foster – in the military for example, that people are working together – that they're part of the same thing, that they're sticking up for each other. That's what we're using music at marches and rallies. It's to inspire the troops. And in other settings it's to educate people about things that are happening and to talk about it in a way that hopefully might be more memorable than a speech ...

Yes, to communicate to people on an emotional level. And perhaps even a spiritual level and reach them in a way that people don't often get reached by other means. And it's just one of many means of communication, but I think it's a [sic] an important one and when we have events, whether they're protests or educational events or whatever, the events that have music and food at them are so much different from the ones that don't. Everyone, whether or not they're conscious of why they come out of those events inspired and feeling like they've learned something and they're going to do something with that knowledge – that's the difference between even a really good speaker, they're still – are not really pessimistic but good educational optimistic speaker – there's still something missing compared to when you hear that speaker and you sing a few songs before or after – preferably after I think because then you leave on a feeling on more togetherness and optimism even when the songs are not particularly optimistic. There's something about music that makes people feel optimistic ...

Rovics has also written a song on Francis Hughes a Provisional IRA combatant who died in the 1981 Irish Hunger Strike, in his song "Up The Provos".


David Rovics David Rovics David Rovics David Rovics David Rovics David Rovics




From Wikipedia, the free encyclopedia [en.wikipedia.org/wiki/David_Rovics]. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Text is available under the Creative Commons Attribution-ShareAlike License.

Date: June 2020.



Photo Credits: (1ff) David Rovics (unknown/website).


FolkWorld Homepage German Content English Content Editorial & Commentary News & Gossip Letters to the Editors CD & DVD Reviews Book Reviews Folk for Kidz Folk & Roots Online Guide - Archives & External Links Search FolkWorld About Contact Privacy Policy


FolkWorld - Home of European Music
FolkWorld Homepage
Layout & Idea of FolkWorld © The Mollis - Editors of FolkWorld