FolkWorld #72 07/2020
© Wikipedia, the free encyclopedia

Article in German

Across the Western Ocean

The Carter Family Catalogue

The Carter Family is a traditional American folk music group that recorded between 1927 and 1956. Their music had a profound impact on bluegrass, country, Southern Gospel, pop and rock musicians as well as on the U.S. folk revival of the 1960s. They were the first vocal group to become country music stars, and were among the first groups to record commercially produced country music. Their first recordings were made in Bristol, Tennessee, under producer Ralph Peer on August 1, 1927, the day before country singer Jimmie Rodgers also made his initial recordings under Peer. Their recordings of songs such as "Wabash Cannonball", "Can the Circle Be Unbroken", "Wildwood Flower", "Keep On the Sunny Side" and "I'm Thinking Tonight of My Blue Eyes" made these songs country standards. The tune of the last was used for Roy Acuff's "The Great Speckled Bird", Hank Thompson's "The Wild Side of Life" and Kitty Wells' "It Wasn't God Who Made Honky Tonk Angels", making the song a hit all over again in other incarnations.

The Carter Family

Artist Video

The original group consisted of Sara Carter, her husband A.P. Carter, and her sister Maybelle Carter. Maybelle was married to A.P.'s brother Ezra Carter (Eck) and was also Sara's first cousin. All three were born and raised in southwest Virginia, where they were immersed in the tight harmonies of mountain gospel music and shape note singing.

Throughout the group's career, Sara Carter sang lead vocals and played rhythm guitar or autoharp, and Maybelle sang harmony and played lead guitar. On some songs A.P. did not perform at all; on some songs he sang harmony and background vocals and occasionally he sang lead. Maybelle's distinctive guitar-playing style became a hallmark of the group, and her Carter Scratch (a method for playing both lead and rhythm on the guitar) has become one of the most copied styles of guitar playing. The group (in all its incarnations, see below) recorded for a number of companies, including Victor, RCA, ARC group, Columbia, Okeh and various imprint labels.


The Carter Family made their first recordings on August 1, 1927. The previous day, A.P. Carter had persuaded his wife Sara Carter and his sister-in-law Maybelle Carter to make the journey from Maces Spring, Virginia, to Bristol, Tennessee, to audition for record producer Ralph Peer. Peer was seeking new talent for the relatively embryonic recording industry. The initial sessions are part of what are now called the Bristol Sessions. The band received $50 for each song recorded, plus a half-cent royalty on every copy sold of each song for which they had registered a copyright. On November 4, 1927, the Victor Talking Machine Company released a double-sided 78 rpm record of the group performing "Wandering Boy" and "Poor Orphan Child". On December 2, 1928, Victor released "The Storms Are on the Ocean" / "Single Girl, Married Girl", which became very popular.

In The Shadow Of The Hill: Songs from the Carter Family Catalogue
Tom Brosseau is a folksinger and songwriter from North Dakota. His latest release is an album of seldom-heard songs from the Carter Family, In The Shadow Of The Hill recorded with Sean and Sara Watkins (of Nickel Creek fame).

"On August 1st, 1927 in Bristol, TN the Carter Family made their first recording for Ralph Peer on the Victor label. Now, 92 years later their music is still being recorded by people like Thomas Brosseau. I believe the reason that this music endures is because it is just as real and heartfelt as it was in 1927, and common people can relate to songs of hardship, tragedy, love, and faith. For someone to take the time and effort to make a record of these songs tells me these songs touched and inspired Mr. Brosseau. And a record to me is not about money but music. It is a reflection of your emotions. It is who you are. So on behalf of the Carter Family, I would like to thank you Mr. Brosseau for being who you are.”
- Dale Jett (Grandson of A.P. and Sara Carter)

Tracklist: Jealous Hearted Me | Kitty And I | My Texas Girl | Chewing Gum | St. Regious Girl | Give Me Your Love And I'll Give You Mine | Through The Eyes Of An Eagle | Where The Silver Colorado Wends Its Way | Close Of A Day

Tom Brosseau with Sean Watkins "In The Shadow Of The Hill: Songs from the Carter Family Catalogue, Vol. 1", Crossbill Records, 2019

Tom Brosseau

Artist Audio Tom Brosseau @ FROG

By the end of 1930, they had sold 300,000 records in the United States. Realizing that he would benefit financially with each new song he collected and copyrighted, A.P. traveled around the southwestern Virginia area in search of new songs; he also composed new songs. In the early 1930s, he befriended Lesley "Esley" Riddle, a black guitar player from Kingsport, Tennessee. Lesley accompanied A.P. on his song-collecting trips. In June 1931, the Carters did a recording session in Benton, Kentucky, along with Jimmie Rodgers. In 1933, Maybelle met the Speer Family at a fair in Ceredo, West Virginia, fell in love with their signature sound, and asked them to tour with the Carter Family.

Second generation

In the winter of 1938–39, the Carter Family traveled to Texas, where they had a twice-daily program on the border radio station XERA (later XERF) in Villa Acuña (now Ciudad Acuña, Mexico), across the border from Del Rio, Texas. In the 1939–40 season the children of A.P. and Sara (Janette Carter, Joe Carter) and those of Maybelle (Helen Carter, June Carter, Anita Carter) joined the group for radio performances, now in San Antonio, Texas, where the programs were prerecorded and distributed to multiple border radio stations. (The children did not, however, perform on the group's records.) In the fall of 1942, the Carters moved their program to WBT radio in Charlotte, North Carolina, for a one-year contract. They occupied the sunrise slot, with the program airing between 5:15 and 6:15 a.m.

By 1936, A.P. and Sara's marriage had dissolved. Sara married A.P.'s cousin, Coy Bayes, and moved to California, and the group disbanded in 1944.

The Carter Family

Maybelle continued to perform with her daughters Anita Carter, June Carter, and Helen Carter as "The Carter Sisters" (sometimes billed as "Maybelle Carter and the Carter Sisters" or "Mother Maybelle and the Carter Sisters"). In 1943, Maybelle Carter and her daughters, using the name "the Carter Sisters," had a program on WRNL in Richmond, Virginia. Maybelle's brother, Hugh Jack (Doc) Addington Jr., and Carl McConnell, known as the Original Virginia Boys, also played music and sang on the radio show.

Chet Atkins joined them playing electric guitar in 1949 until leaving in 1950. A.P., Sara, and their children Joe and Janette recorded 3 albums in the 1950s under the name of The A.P. Carter Family. Mother Maybelle Carter and the Carter Sisters began using the name "the Carter Family" after the death of A.P. Carter in 1960 for their act during the 1960s and 1970s. Maybelle and Sara briefly reunited, recorded a reunion album (An Historic Reunion), and toured in the 1960s during the height of folk music's popularity.

A documentary about the family, Sunny Side of Life, was released in 1985.

In 1987, reunited sisters June Carter Cash and Helen and Anita Carter, along with June's daughter Carlene Carter, appeared as the Carter Family and were featured on a 1987 television episode of Austin City Limits along with Johnny Cash.

Revivalist folksingers during the 1960s performed much of the material the Carters had collected or written. For example, on her early Vanguard albums, folk performer Joan Baez sang "Wildwood Flower", "Little Moses", "Engine 143", "Little Darling, Pal of Mine", and "Gospel Ship". The Carter Family song "Wayworn Traveller" was covered by a young Bob Dylan, who wrote his own words to the melody and named it "Paths of Victory"; this recording is featured on Bootleg Series Vol. 1–3. After writing that song, he wrote new words to the melody and changed the time signature to 3/4, thus creating one of his most famous songs, "The Times They Are a-Changin'".

Third generation

No Depression In Heaven: The Gospel Songs Of The Carter Family
The Chuck Wagon Gang saw great success in 2019 with the release of their album, No Depression In Heaven: The Gospel Songs Of The Carter Family, which quickly claimed the #1 spot on the Billboard Bluegrass Chart and reached #2 on Billboard's Southern Gospel Chart. Since 1936, the Chuck Wagon Gang has put hope, harmony, faith and family at the center of their music. Today in its third generation, the group carries on the American roots tradition of singing songs from the heart and telling stories of life’s struggles.

A rich tribute to the Carter Family's entire generation-spanning legacy, this album features songs that highlight the Chuck Wagon Gang’s well-known style of four-part harmony vocals and their signature guitar accompaniment. Their style adds yet another dimension of tribute to the Carter Family that’s sure to please connoisseurs of the legendary group’s history, who will easily hear echoes of the second generation Carter Family sound, created by Mother Maybelle with daughters Helen, Anita and June, and at one time even incorporated the guitar of Chet Atkins.

Tracklist: When Our Lord Shall Come Again | Am I A Soldier Of The Cross | The Meeting In The Air | The Heart That Was Broken For Me | Honey In The Rock | There's No Depression In Heaven | The Old Gospel Ship | On The Rock Where Moses Stood | Anchored In Love Divine | There's A Hill Lone And Gray | Somebody's Boy | The Bible In The Cabin

Chuck Wagon Gang "No Depression In Heaven: The Gospel Songs Of The Carter Family", Mountain Home Music Company, 2019

Chuck Wagon Gang

Artist Video

The Carter Family name has been revived for a third time, under the name Carter Family III. A project of descendants of the original Carter Family, John Carter Cash, grandson of Maybelle Carter, and Dale Jett, grandson of A.P. and Sara Carter, along with John's then-wife Laura (Weber) Cash. They released their first album, Past & Present, in 2010.

Rosie Nix Adams, daughter of June Carter Cash, was also a semi-regular performing member of the Carter Family.

On June 25, 2019, The New York Times Magazine listed Carter Family among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Carlene Carter also was a member of a revised version.

Legacy and musical style

As important to country music as the family's repertoire of songs was Maybelle's guitar playing. She developed her innovative guitar technique largely in isolation; her style is today widely known as the "Carter scratch" or "Carter Family picking". While Maybelle did use a flatpick on occasion, her major method of guitar playing was the use of her thumb (with a thumbpick) along with one or two fingers. What her guitar style accomplished was to allow her to play melody lines (on the low strings of the guitar) while still maintaining rhythm using her fingers, brushing across the higher strings. Before the Carter family's recordings, the guitar was rarely used as a lead or solo instrument among white musicians. Maybelle's interweaving of a melodic line on the bass strings with intermittent strums is now a staple of steel string guitar technique. Flatpickers such as Doc Watson, Clarence White and Norman Blake took flatpicking to a higher technical level, but all acknowledge Maybelle's playing as their inspiration.

It has been noted that 'by the end of the twenties, Maybelle Carter scratch ... was the most widely imitated guitar style in music. Nobody did as much to popularize the guitar, because from the beginning, her playing was distinctive as any voice.'

— quoted in The Bristol Sessions: Writings About the Big Bang of Country Music (2005)

The Carter Family

The Carter Family was elected to the Country Music Hall of Fame in 1970 and were given the nickname "The First Family of Country Music". In 1988, the Carter Family was inducted into the Grammy Hall of Fame and received its Award for the song "Will the Circle Be Unbroken". In 1993, the U.S. Postal Service issued a commemorative postage stamp honoring A.P., Sara, and Maybelle. In 2001, the group was inducted into the International Bluegrass Music Hall of Honor. In 2005, the group received the Grammy Lifetime Achievement Award.

Renewed attention to the Carter Family tune "When I'm Gone" occurred after several covers performed a cappella with a cup used to provide percussion, as in the cup game and dubbed "Cups or The Cup Song", went viral and culminated with a short performance in the movie Pitch Perfect. Afterwards it was released as a single by Anna Kendrick.

The A.P. and Sara Carter House, A.P. Carter Homeplace, A.P. Carter Store, Maybelle and Ezra Carter House, and Mt. Vernon Methodist Church are listed on the National Register of Historic Places as components of the Carter Family Thematic Resource.

In 2017, the Carter Family's story was told in the award-winning documentary series American Epic. The film featured unseen film footage of The Carter Family performing and being interviewed, and radically improved restorations of their 1920s recordings. Director Bernard MacMahon commented that "we first came to the Carters through their records, but one of the other things that struck us about them is that they were involved in both of the main waves of America hearing itself for the first time. They made their first impact in that early wave of rural recordings, and then the next stage was the arrival of radio, and in the late 1930s, they went to Texas and were on XERA, a border station based in Mexico that could be heard all over the central and western United States." The Carter Family's story was profiled in the accompanying book, American Epic: The First Time America Heard Itself.

From Wikipedia, the free encyclopedia []. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Text is available under the Creative Commons Attribution-ShareAlike License.

Date: June 2020.

Photo Credits: (1),(4),(7) The Carter Family, (2)-(3) Tom Brosseau, (5)-(6) The Chuck Wagon Gang (unknown/website).

FolkWorld Homepage German Content English Content Editorial & Commentary News & Gossip Letters to the Editors CD & DVD Reviews Book Reviews Folk for Kidz Folk & Roots Online Guide - Archives & External Links Search FolkWorld About Contact Privacy Policy

FolkWorld - Home of European Music
FolkWorld Homepage
Layout & Idea of FolkWorld © The Mollis - Editors of FolkWorld